The Pillow Book #99

from Sei Shonagon"#99 – Adorable things

The face of a child drawn on a melon.

A baby sparrow that comes hopping up when one imitates the squeak of a mouse; or again, when one has tied it with a thread round its leg and its parents bring insects or worms and pop them in its mouth – delightful!

A baby of two or so is crawling rapidly along the ground. With his sharp eyes he catches sight of a tiny object and, picking it up with his pretty little fingers, takes it to show to a grown-up person.

A child, whose hair has been cut like a nun’s, is examining something; the hair falls over his eyes, but instead of brushing it away he holds his head to the side. The pretty white cords of his trouser skirt are tied round his shoulders, and this too is most adorable.

A young palace page, who is still quite small, walks by in ceremonial costume.

One picks up a pretty baby and holds him for a while in one’s arms; while one is fondling him, he clings to one’s neck and then falls asleep.

The objects used during the Display of Dolls.

One picks up a tiny lotus leaf that is floating on a pond and examines it. Not only the lotus leaves, but little hollyhock flowers, and indeed all small things, are most adorable.

An extremely plump baby, who is about a year old and has lovely white skin, comes crawling toward one, dressed in a long gauze robe of violet with the sleeves tucked up.

A little boy of about eight who reads aloud from a book in his childish voice.

Pretty, white chicks who are still not fully fledged and look as if their clothes are too short for them; cheeping loudly, they follow one on their long legs or walk close to the mother hen.

Duck eggs.

An urn containing the relics of some holy person.

Wild pinks."
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Sei Shonagon (965 to 1017) as translated in Columbia University's Traditional Japanese Literature: An Anthology, Beginnings to 1600.

The Pillow Book #148

from Sei Shonagon
"#148 - Repulsive things – The back of a piece of sewing. Hairless baby mice tumbled out of their nest. The seams of a leather robe before the lining’s been added. The inside of a cat’s ear. A rather dirty place in darkness.

A very ordinary woman looking after lots of children. The way a man must feel when his wife, who he’s not really very fond of, is ill for a long time."

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Sei Shonagon (965 to 1017) had a strong personality - her proclamations, observations and anecdotes in The Pillow Book never cease to delight and puzzle. It's a peep into a world that is about as far removed from today (in the west) as you can get. Liverputty has hijacked her to be our woman from the Heian Court. Translated by Meredith McKinney.

The Pillow Book #65, #66, #67

from Sei Shonagon
"#65 – Poetic anthologies – The Manyoshu. The Kokinshu.

#66 – Topics of poetry – The capital. The kudzu vine. The water burr. Horses. Hail.

#67 – Disturbing things – The mother of a monk who’s embarked on the twelve-year mountain retreat.

The retainers who accompany their master on a visit to some unfamiliar place on a moonless night – to avoid being seen, they don’t light a fire but just sit there in a row, waiting uneasily in the darkness for him to reappear.

You give a servant, whom you don’t really know and trust yet, some precious thing to take to someone, and then she’s late returning.

A child who’s still too young to talk throws his little head back and bursts into tears, and won’t let anyone pick him up and comfort him."

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Sei Shonagon (965 to 1017) is the author of the timeless classic, The Pillow Book, which is part diary, part lists, and a whole lot of strange and strong opinions packed into a single volume. For an undetermined space of time, Miss Sei will serve as Liverputty's courtesan from Kyoto during the high point of the Heian Court period. Translated by Meredith McKinney.

The Pillow Book #55 & #56

from Sei Shonagon
"#55 – Young people and babies should be plump. Provincial Governors and suchlike people who have some authority should also be on the portly side.

#56 – Little children waving quaint toy bows or sticks about in play are wonderfully cute. It makes me want to stop the carriage and scoop them up and gaze my fill. And what a delightful whiff of incense from their clothes lingers in the air as the carriage goes on its way again. "
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The Pillow Book is a world masterpiece. Few things are as mysterious and alluring as the will and wit of the Japanese female, especially in the exotic age of the Heian Period. Sei Shonagon, as translated by Meredith McKinney, (thanks ladies!) will be serving as Liverputty's correspondence from 11th century Kyoto.

The Pillow Book #54

from Sei Shonagon
"It’s disgusting when a well-bred young man casually calls out the name of some low-ranking woman he’s visiting, in a way that reveals his intimacy with her. It’s much more impressive if he pretends not to have it quite right, even though in fact he knows her name perfectly well. If he’s visiting the apartments of women in palace service, he should really enlist a grounds-man to call her – though of course this is not a good idea at night – and if it’s some other place then he should employ one of his retainers. After all, everyone will recognize him if it’s his own voice.

"However, there can be no objection if it’s someone inconsequential, or a young girl."
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Sei Shonagon (965 to 1017) is one of the great figures in Japanese literature and a contemporary of Lady Murasaki, though the two served in rival clans. The Pillow Book is part diary, part lists, and a whole lot more. She will, for an undetermined space of time, serve as Liverputty's courtesan from Kyoto during the high point of the Heian Court period. Translated by Meredith McKinney.